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By “feeding an AI on itself” the work renders opaque legal jargon strangely legible and even laughable, highlighting the ethical, legal, and creative tensions at the heart of our relationship with machine-generated culture. Terms \u0026amp; Conditions Opera connects directly to the November 2024 manifesto and collective action Elwes played a central role in, under the title ‘Art in the Cage of Digital Reproduction’, in which artists withdrew their labour from OpenAI’s then unreleased video generation model, Sora.\u003c\/p\u003e\n\u003cp\u003eA music AI being fed on its own legalese. In a self-referential loop, OpenAI and Suno's Terms and Conditions are reinterpreted into a kaleidoscopic opera of scattered genres.\u003c\/p\u003e\n\u003cp\u003eThe true content of corporate AI systems lies not in their generated output (which are merely imitative, superficial and derivative forms), but in their legal frameworks: the policies, copyrights, intellectual property, and terms of usage that demand real human labor and political engagement.\u003c\/p\u003e\n\u003cp\u003ePrompting corporate AI models can feel very limited and troubling - almost as if you’re giving part of your soul to help improve their models. Not wanting to give their model anything of myself, I instead fed it on itself, having it absurdly interpret its own governing laws.\u003c\/p\u003e\n\u003cp\u003eAI is forcing us to radically reinvent intellectual and creative property laws (both OpenAI and Suno are currently being sued for copyright infringements). 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The work reflects on the deep interconnectedness of everything in the cosmos, from the microbial networks within our bodies to our atoms forged in dying ancient stars, to ripples in cosmic quantum fields. Boundaries are fictions. They are interfaces. We are not apart from the universe, we are not even in the universe. We are part of the universe. The universe is in us. Just as ‘waves’ are something that the ocean does, ‘we’ are something that the universe does. The piece is ultimately a celebration of life, of being alive, of being aware of being alive, and being aware of being aware. How is it that sub-atomic waves dancing in cosmic quantum fields can feel? Can think? Can be aware of itself feeling and thinking? Created using custom code, artificial intelligence, computer vision, digital painting, and dance, the work blends computational media with embodied expression, aiming to induce a contemplative, intimate experience, encouraging us to reflect on these themes.\u003c\/p\u003e\n\u003cp class=\"a-b-r-La\"\u003eCommissioned by the Vanhaerents Art Collection @vanhaerents_art_collection for the Venice Biennale 2024, curated by Walter Vanhaerents with support from Dominique Moulon @dominiquemoulon. Music composed by Rutger Zuydervelt @rutgerzuydervelt\u003c\/p\u003e\n\u003cp class=\"a-b-r-La\"\u003e\u003cem\u003eBoundaries\u003c\/em\u003e was commissioned as part of the 2024 Venice Art Biennale for the Chiesa di Santa Maria della Visitazione Church in Venice. 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